Friday, July 31, 2020

Technology: Facial recognition; Fake Video evidence in trial? 'The Capture': Part One: Can't wait to see this one: (Amazon Prime): BBC drama series 'The Capture.' As Diksha Sundriyal writes in Cinemaholic: "Technology has made our lives a lot easier, but it has also opened us to new kinds of dangers. Surrounded by cameras on all sides, we have made ourselves vulnerable to constant surveillance, and rarely do we give it a second thought. If George Orwell’s works didn’t make you paranoid enough about it, then allow BBC’s ‘The Capture’ to add fuel to the fire. "


BACKGROUND: TECHNOLOGY: In the last several years I have been spending considerably more time than usual on applications of rapidly developing technology in the criminal justice process that could effect the  quality of the administration of justice - for better, or, most often, for worse. First, of course, predictive policing (AKA Predpol) made it’s interest, at its most extreme promising  the ability to identify a criminal act before it occurred. At it’s minimal level, it offered police a better sense of where certain crimes where occurring in the community being policed - knowledge that the seasoned beat officer had intuited through every day police work years earlier. Predpol has lost some of it’s lustre as police departments discovered that the expense of acquiring and using the technology was not justified. Then we entered a period where logarithms were become popular with judges for use on bail hearings and on sentencing, In my eyes, these judges were just passing the buck to the machine when they could have, and should have made their decisions  based on information they received in open court - not from Logarithm’s which were notorious for their secrecy, because the manufacturers did not want to reveal their trade secrets - even in a courtroom where an accused person’s liberty and reputation  were in jeopardy. Some of these logarithms on bail and sentence have come under attack for discriminating against minorities and are hopefully on the way out. Lastly,  facial recognition technology has become a concern to this Blog  because of its prove ability to sweep up huge numbers of people, lead to wrongful arrests and prosecutions, and discriminate racially.  May we never forget that  a huge, extremely well-funded, powerful industry, often politically connected industry  is pushing for profit use of all these technologies in the criminal systems - and, hopefully, in the post George Floyd aftermath  will be more concerned with the welfare of the community than their bottom Line. HL.

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QUOTE OF THE DAY: "The idea of video manipulation and how important video evidence is in a trial held his (Author/Director Ben Chanan) attention. “I began to think what if you combined the idea that anything online can be hacked with the fact that video evidence is increasingly integral to our justice system? How if those two things came together, it could create a nightmare scenario,” he told The Guardian. He realized how closely the public had been placed under CCTV surveillance, with London being in the top ten of the most monitored cities in the world. The fact that people have come to live with it, without ever stopping to think how such a thing could, in the worst-case scenario, be turned against them. “What’s interesting is how easy it might be to abuse that comfort. Because if software can take somebody’s audio and sample it and make them say what we want, how can we ever entirely trust a police confession or any audio archive? If you then apply that to video evidence as well, what happens then?” he said.

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PASSAGE OF THE DAY: "This show follows the story of a man who is accused of kidnapping and murdering a woman. The act is caught on CCTV, and the video evidence is enough to convict him of the crime. The twist comes when he claims that he is innocent. The show keeps itself rooted in reality to extrapolate on the things that could happen. As we watch the events unfold, we are also forced to wonder if such a thing is possible in real life? Is ‘The Capture’ a real story? Let’s find out."

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STORY: "Is The Capture a true story?" by Senior Writer Diksha Sundriyal, published by Cinemaholic on July 24, 2020. As Cinemaholic describes itself: "The Cinemaholic is an entertainment news website written by real experts. Our writers are not just movie or tv journalists, but they are so much more. Every writer in our team is inherently a student of cinema."

GIST: "Technology has made our lives a lot easier, but it has also opened us to new kinds of dangers. Surrounded by cameras on all sides, we have made ourselves vulnerable to constant surveillance, and rarely do we give it a second thought. If George Orwell’s works didn’t make you paranoid enough about it, then allow BBC’s ‘The Capture’ to add fuel to the fire.

This show follows the story of a man who is accused of kidnapping and murdering a woman. The act is caught on CCTV, and the video evidence is enough to convict him of the crime. The twist comes when he claims that he is innocent. The show keeps itself rooted in reality to extrapolate on the things that could happen. As we watch the events unfold, we are also forced to wonder if such a thing is possible in real life? Is ‘The Capture’ a real story? Let’s find out.

Is The Capture based on a true story?

No, ‘The Capture’ is not based on a true story. It is based on an original story by Ben Chanan, who also directs the show. The idea first came to him while working on a documentary about counter-terrorism, during which he had interviewed several people who had worked in intelligence. He played with the plot for a while and then created a fictional narrative that would allow him to underline the moral implications of the issue.

In the two years before the show premiered, he had thought of it as a “what if” drama, with BBC interpreting it as that of “heightened reality”. But in the making of the show, and in the current times, he has found it to be all the closer to reality than he had initially expected. “Barely a week goes by without a new warning about the potential horrors of facial recognition, deep-fakes or fake news. I had no idea our current era would turn out to be such a good fit,” he said in its introduction.

The idea of video manipulation and how important video evidence is in a trial held his attention. “I began to think what if you combined the idea that anything online can be hacked with the fact that video evidence is increasingly integral to our justice system? How if those two things came together, it could create a nightmare scenario,” he told The Guardian. He realized how closely the public had been placed under CCTV surveillance, with London being in the top ten of the most monitored cities in the world. The fact that people have come to live with it, without ever stopping to think how such a thing could, in the worst-case scenario, be turned against them. “What’s interesting is how easy it might be to abuse that comfort. Because if software can take somebody’s audio and sample it and make them say what we want, how can we ever entirely trust a police confession or any audio archive? If you then apply that to video evidence as well, what happens then?” he said.

In creating the story of such dark and paranoia-inducing nature, Chanan was inspired by the 70s thrillers like The Parallax View, Three Days of the Condor, and Capricorn One. It was their “overtly political and unashamedly risky” tone that made him push his story on the same path.

As for whether the Correction program is real, Chanan ensures that it is just the product of his imagination. (Not that we’d know what the government is secretly doing with all our data.) However, things like deep-fake, manipulating audio and video, and even tinkering with CCTV footage (though maybe not on the level as depicted in the show) is not an alien concept. We live in a world where fake news spreads like a wildfire, while no one seems interested in the truth. If it is so easy to convince people with some minor here and there of pictures and manipulation of facts, would it really be that difficult to introduce something like the Correction?"

The entire story can be read at:
https://www.thecinemaholic.com/the-capture-true-story/

PUBLISHER'S NOTE: I am monitoring this case/issue. Keep your eye on the Charles Smith Blog for reports on developments. The Toronto Star, my previous employer for more than twenty incredible years, has put considerable effort into exposing the harm caused by Dr. Charles Smith and his protectors - and into pushing for reform of Ontario's forensic pediatric pathology system. The Star has a "topic"  section which focuses on recent stories related to Dr. Charles Smith. It can be found at: http://www.thestar.com/topic/charlessmith. Information on "The Charles Smith Blog Award"- and its nomination process - can be found at: http://smithforensic.blogspot.com/2011/05/charles-smith-blog-award-nominations.html Please send any comments or information on other cases and issues of interest to the readers of this blog to: hlevy15@gmail.com.  Harold Levy: Publisher: The Charles Smith Blog;
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FINAL WORD:  (Applicable to all of our wrongful conviction cases):  "Whenever there is a wrongful conviction, it exposes errors in our criminal legal system, and we hope that this case — and lessons from it — can prevent future injustices."
Lawyer Radha Natarajan:
Executive Director: New England Innocence Project;
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