STORY: "Trials and Errors...Two powerful new books find the justice system guilty," by Jonathan Miles published by 'Garden and Gun', February/March, 2018..." Garden & Gun is a magazine about the sporting culture, food, music, art, and travel of the Southern United States. It was created by Pierre Manigault and John Wilson in 2004 and launched in 2007 with publisher Rebecca Darwin (former publisher of The New Yorker and Mirabella) as part of the Evening Post Publishing Company.[1][2] The magazine won three ADDY Awards and eight Magazine Association of the Southeast GAMMA awards in its first year, while being named the nation’s second-hottest magazine launch in 2007 by MIN Magazine.[3]..."Jonathan Miles (born January 28, 1971) is an American journalist and novelist. His debut novel, Dear American Airlines, was published by Houghton Mifflin Harcourt in 2008. The novel, written in the form of a complaint letter to the titular airline, was reviewed by Richard Russo in The New York Times Book Review.[1] His second novel, Want Not, was published by Houghton Mifflin Harcourt in 2013.
GIST: "The phrase “Southern justice” carries enough cultural stink to appear
in lists of oxymorons, right alongside “authentic replica” and “jumbo
shrimp.” Open to debate, perhaps, is whether this reputation is
currently and not just historically warranted—that is to say, whether
certain perversions in the justice system remain peculiarly Southern,
either by code or custom. Two new books—one a memoir by a man wrongfully
imprisoned on Alabama’s death row, and the other a blistering exposé
of Mississippi’s bungle-prone process of investigating deaths—don’t
explicitly map this distinction, but, taken together, they lay bare the
amount of injustice baked into the South’s justice system. Mississippi’s problem began, as do most murder mysteries, with dead bodies. As Radley Balko and Tucker Carrington report in The Cadaver King and the Country Dentist: A True Story of Injustice in the American South,
for most of its history the state left the forensic analysis of corpses
in the hands of elected county coroners, with scarce oversight. This
proved ideologically convenient, up through the civil rights era
(witness the official cause of death for civil rights worker Michael
Schwerner, shot and killed in 1964: “unknown”), but became ineffectual
as coroners farmed out the work to private pathologists. Enter Steven
Hayne, the “Cadaver King” of the title, who began
performing autopsies there around 1986—lots of them, as many as 80
percent of the state’s—and for more than twenty years was the go-to guy
for prosecutors, his analyses molding almost perfectly to their
arguments. Along with his sidekick Michael West, a small- town dentist
and self-styled bite mark expert, Hayne made a lucrative living
examining corpses and testifying in trials as an expert witness. Except
the testimony Hayne and West provided was far from expert. It
was at times sloppy, prejudicial, and/or downright misleading. Ask
Kennedy Brewer, who was sentenced to death in 1995 for the rape and
murder of his girlfriend’s three-year-old daughter. Or Levon Brooks,
sentenced to life in prison in 1992 for the murder of another
three-year-old girl. (Both were freed, years later, after DNA evidence
identified the man who killed the girls.) Balko and Carrington—a
journalist and an attorney, respectively—enact their own prosecution in
this book, convincingly and devastatingly, yet Hayne and West emerge
almost as secondary villains. The system they exploited—and the
legislators who turned a blind eye to its deficiencies—are due the
fiercest scorn. And owed the swiftest reevaluation: the countless people
who still languish in Mississippi prisons based upon Hayne’s and West’s
testimony, some of whom may well be innocent. Anthony Ray Hinton can
tell you exactly how they feel, and does, with spectacular grace, in The Sun Does Shine: How I Found Life and Freedom on Death Row.
Hinton was a twenty-nine-year-old warehouse worker when he was charged
with the 1985 murders of two Birmingham restaurant managers. He was
poor, he was black, he’d had some minor scrapes with the law, and his
public defender botched his defense. Though patently innocent, Hinton
was sentenced to die in the electric chair. The Sun Does Shine recounts
his three decades on death row: his grueling legal struggles, the way
the stench of burning flesh drifted in as fellow inmates were executed.
But also, unexpectedly, the way Hinton used his imagination to survive,
the way elaborate day dreams—one involving the Queen of England—kept him
sane. The Sun Does Shine is as moving and inspiring as memoirs
get. It’s impossible not to shed a tear—or really a flood of them—when
the U.S. Supreme Court vacates Hinton’s conviction, or when on his first
night of freedom he sleeps on a bathroom floor because the hard surface
and tiny room are what he’d become accustomed to. Yet it should also be
impossible to finish this book without a head full of rage for all
Hinton had to endure, and for all he lost. Kennedy Brewer, exonerated in
2008, summed it up this way: “The system’s gonna do what the system’s
gonna do.” But no one, after reading these two books, can dare call that
justice."
PUBLISHER'S NOTE: I am monitoring this case/issue. Keep your eye on the Charles Smith Blog for reports on developments. The Toronto Star, my previous employer for more than twenty incredible years, has put considerable effort into exposing the harm caused by Dr. Charles Smith and his protectors - and into pushing for reform of Ontario's forensic pediatric pathology system. The Star has a "topic" section which focuses on recent stories related to Dr. Charles Smith. It can be found at: http://www.thestar.com/topic/c